Lyric soprano Jessica Moss has performed as soloist with the Amalfi Coast Festival in Italy, the Miami Music Festival, Northern Lights Opera, Houston Operativo, and the Peabody Conservatory Opera in leading roles including Fiordiligi in Mozart’s Così fan Tutte, the Countess in Le Nozze di Figaro, Gretel in Humperdinck’s Hänsel und Gretel, Monica in Menotti’s The Medium, and Cendrillon in Viardot’s Cendrillon, and in scenes programs as Musetta in Puccini’s La Bohème, Antonia in Offenbach’s Les contes d’Hoffmann, Nedda in Pagliacci, and in the title role of Carlisle Floyd’s Susannah. She was Grand Prize winner in the Charleston Symphony Young Artists Competition, First Place winner in the NATS Regional Competition, and a finalist in the Hal Leonard Art Song Competition and Civic Morning Musical Competition. An avid recitalist, Jessica has appeared on the concert stage as soloist in the Vivaldi Gloria, Handel’s Messiah, Schubert’s Mass in G, the Pergolesi Stabat Mater, Debussy’s Proses Lyriques and Wolf’s complete Italienisches Liederbuch. With creative skills in artistic entrepreneurship and a strong desire to contribute to the community around her, Jessica spent several years performing and teaching in Houston, TX, where she earned a reputation as a master teacher and clinician for both beginning and advanced singers, and gave recitals and concerts benefitting local charities. She recently relocated to Rochester, NY, where she maintains a thriving online vocal studio while preparing for the fall ’22 opera audition season. Jessica has participated in master cases led by Metropolitan Opera singers Ben Heppner, Eric Owens, Sherril Milnes, Michael Sylvester, Erie Mills, and Jonathan Beyer, and Eastman School of Music professor, Jan Opalach. She holds a M.M. In Vocal Performance from Peabody Conservatory where she studied with Phyllis Bryn-Julson and a B.S. in Music Performance from Roberts Wesleyan College in Voice as a student of Constance Fee.